During the late night of the 7th of April 1990, a devastating blaze erupted on board the ferry Scandinavian Star, a passenger ferry traveling between Frederikshavn and Oslo. Inadequate crew training along with malfunctioning fire doors accelerated the propagation of the fire, while deadly hydrogen cyanide gas released from combusting materials caused the deaths of 159 individuals. At first, the tragedy was blamed to a travelerâa truck driver with a record of arson. Since this individual too died in the fire and was not able to refute himself, the complete truth regarding the event stayed concealed for a long time. It wasn't until 2020 that a comprehensive investigation revealed the blaze was likely started deliberately as part of an insurance fraud.
Within the first volume of Nordenhof's epic sequence, the preceding volume, an unidentified protagonist is traveling on a public transport through Copenhagen when she notices an elderly man on the street. As the bus moves away, she feels an âeerie senseâ that she is taking a part of him with her. Compelled to repeat the journey in pursuit of him, the character finds herself in a setting that is both alien and deeply familiar. She presents readers to Maggie and Kurt, whose connection is tested by the burdens of their conflicted histories. In the final pages of that book, it is suggested that the source of the character's discontent may originate in a poor investment made on his account by a man referred to as T.
This second installment opens with an lengthy prose poem in which the writer explains her struggle to compose T's narrative. âWithin this volume, two,â she writes, âwe were supposed / to follow him / from childhood up until / the evening / when he sat waiting for / the news that / the blaze / on the Scandinavian Star / had successfully been / set.â Burdened by the undertaking she has set herself and derailed by the pandemic, she approaches the story indirectly, as a type of allegory. âIt occurred to me / that I / can do / anything I want / so this / is my work / this is / for you / this is / an erotic thriller / about businessmen and / the devil.â
A narrative gradually emerges of a woman who experiences quarantine in the UK capital with a near-unknown person and during those weeks tells to him what occurred to her a decade earlier, when she agreed to an proposal from a man who claimed to be the devil to fulfill all her desires, so long as she didn't doubt his motives. As the elements of the two stories become more interwoven, we begin to suspect that they are one and the sameâor at minimum that the nature of T is multiple, for there are demonic forces all around.
Another blaze is present: a passionate, compelling dedication to writing as a form of activism
Literature teach us that it is the dark figure who does bargains, not God, and that we engage in them at our risk. But what if the protagonist herself is the devil? A third narrative eventually emergesâthe account of a young woman whose childhood was scarred by mistreatment and who was placed in a psychiatric hospital, under pressure to conform with societal norms or endure further harm. â[The devil] understands that in the game you've created for it, there are a pair of results: submit or stay a beast.â A alternative path is ultimately unveiled through a series of verses to the night that are simultaneously a call to arms against the influences of wealth and power.
Many UK audience members of the author's series novels will reflect right away of the London tower tragedy, which, though accidental in origin, shares parallels in that the resulting tragedy and fatalities can be attributed at least partly to the dangerous trade-off of putting financial gain over human lives. In these first two books of what is planned to be a multi-volume sequence, the fire aboard the ferry and the series of fraudulent transactions that culminated in multiple deaths are a sinister background element, showing themselves only in brief glimpses of information or inference yet casting a deepening influence over everything that transpires. Certain individuals may doubt how far it is feasible to interpret The Devil Book as a independent work, when its purpose and significance are so intricately bound into a broader narrative whose final form, at this stage, is unknowable.
There will be othersâand I include myself as one of themâwho will become enamored with the author's endeavor purely as written art, as truly innovative writing whose moral and artistic purpose are so profoundly entwined as to make them inextricable. âCompose verses / for we need / that as well.â There is another fire here: an intense, magnetic commitment to writing as a statement. I will continue to pursue this literary journey, wherever it goes.
A tech-savvy writer and digital enthusiast with a passion for storytelling and innovation.